Clark finds plenty of range within this palette, though, busting out the talkbox on “Neutered Fruit”’s confrontational jazz-rock and a dance-pop beat on the subtly frantic “Hysterical Strength.” Less obvious are the emotional shifts many of these songs undergo, and how they blur the album’s contrasts.

Most apparent is her use of opposing sounds working with producer John Congleton, she focuses on luxurious strings and woodwinds that float above wobbly keyboards and ugly, distorted guitars that emphasize that these songs are under pressure. Contrast has always been a major part of her music, and Strange Mercy's juxtapositions of harshness, softness, truth, lies, cruelty, and kindness feel especially pointed and potent. It’s tempting to call this her most genuine album, but it’s probably more accurate to say it’s Clark's least academic-feeling set of songs. However, she’s down and dirty with them on Strange Mercy, a collection of cracked veneers, eye-level confessions, and portraits of breaking points. Vincent albums were, she sometimes seemed slightly removed, and perhaps somewhat above, her songs’ subjects. Strange Mercy is not for everyone, but tenacious listeners can entertain themselves considerably with this cd full of eccentric pop.As clever and insightful as Annie Clark's first two St. Surprisingly, the technical competence of Clark as instrumentalist, with squealing solo – it is a weird synth or a distorted guitar? – in the nervous Surgeon as highlight. Yet a number of tracks on Strange Mercy striking simple and effective in each other. Music that makes it especially good rock critics and often a little too typical for the general public. Clarks style is close to that of female centipedes as Kate Bush, Feist or Björk. Rightly so, because the plate sounds incredibly strong. The received with loud applause plates Marry Me (2007) and Actor (2009) are followed with the likewise rich with Star award-winning third record Strange Mercy. It could not, however, prepare for the reaction that her her solo work under the pseudonym St. As guitarist at The Polyphonic Spree and Sufjan Stevens, Annie Clark saw already how much appreciation an American artist worldwide.

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